| j bosma on Mon, 27 Jan 97 09:17 MET |
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| nettime: het stuk |
stuk [het]= *(aandeel)share, security
*(staaltje)een stout stukje: a bold
feat*(aantrekkelijk persoon) male:
hunk, stud. female: piece*(geschrift)
document, article.
by Paulien van Mourik Broekman and Josephine Bosma
Neither of us were there when Nettime was born, but we
think we are close enough to the source to know its
radiation, its personality almost. Nettime can nearly
be treated as a character. Its loose form and the firm
but loving embrace of its participants give it a different
feel then do its descendants or its copycats. However,
there is still something uncomfortable about it, which we
will try to get as close as possible to in the following text.
What is most striking about Nettime is its wish for close
personal contact. Nettime-meetings have been organised under
the banner of conferences like Next5Minutes or Metaforum,
and a big one which truly shows Nettime's sweet face is the
meeting planned for May 97 which will be held in three
different cities in former Yugoslavia: Ljubljana, Zagreb
and a searesort.
Nettime seems to be an island of humanity in the mediated
world of the net and its periphery. Anybody can send anything
at anytime to its open list. Though, for a discussion mailing
list, this is in itself not unusual, combined with the very
human and personal treatment of its members, it means that
Nettime could be a fertile breeding ground for new writing
talents, a free space to experiment with styles and thoughts
for artists or theorists or what is most interesting: it could
be a place for non-writers in the extreme sense of the word
to vent their opinions on highly philosofical matters, a place
where professional intellectuals and illiterate mediaworkers
communicate. And this is where something seems to go wrong.
Nettime has a lot of members. The issues that pass the revue
titillate many minds . Yet only a very small part of its members
'open fire', even when the battle is practically in their own
backyard. We have heard someone say he is afraid to write. Why
is that? Speaking in public is not easy, most of us know that,
with the exception of the natural performers. But is that the
only problem? From many sides the same remarks about Nettime
are heard over and over again. The texts, the announcements
and the world that seems to be hidden behind them are found
extremely interesting, but there is this enormous treshhold fear
to react. And it seems to have something to do with these same
good texts.
At conferences the way an idea is communicated is a mixture
of that of the objective, learned scholar/professional and
that of the masterspeaker, the politician, the salesman.
Theories are presented and discussions are initiated in the
oldfashioned manner of the college, where knowledge was a
clearly shaped object of power, with a beginning and an end
and, perhaps, guards flanking its sides. Even the audience
seems to submit to these rules of polite respect for the erect
manner of speaking that also dominates the universities and
political meetings.
The way texts and knowledge is spread and treated through
new media might not just offer new possibilities, but it might
be a revolution which even academies will have to deal with.
New media are not just effecting old media like books, tv or
radio. It also effects institutions. Their heritage needs to
be dealt with and transformed. It is not so that we mean to
say that what comes out of this heritage, like styles of writing
and thinking, is wrong or needs to be dumped. It just feels a
bit uncomfortable.
Fortunately Nettime does not pay its contributors for their
efforts. This saves us from endless plowing through the long,
highly abstract theoretical pieces of the professional macho
theorists who like their masturbative seeds to choke the
throats of the doubting student, the searching poet or the
wacko artist. Many writers still have these sharp, fast pens
though, which they learned to hold so well during their
professional careers. And only the wackos seem to have
the (unconscious?) guts to reply to them. What happens instead
of the shared tought trains often is the safer but less effective
private mail exchanges, the whispering at the backdoor, which
takes the sting out of the debate. The only way to fight
this syndrome without losing the credibility or impact of
net.criticism is probably to work with an awareness of how
textual critical authority, maybe invisible to its producer,
can simultaneously encourage and suppress the introduction of new voices/communications.
The metaphor of the academy can also be used in a more
positive way though, as - though invisible due to the same
characteristics that make the net such fertile ground for
gender switching etc. - the range of ages, professional and
personal experiences of those who subscribe to Nettime is
no doubt vast. The email communicated thinking, feeling and
being that make up Nettime's shared persona touches on the
very slippery areas where practice, personal experience and
theory (for want of a better word) intersect. In fact, don't
they in most social interactions?
Distinctions made here between these categories are,
by necessity, crude. Given that this is what we have to play
with, the fact remains that some postings will seem more
relevant to some than others, for reasons that go beyond simple
qualitative criteria.
Some postings that may seem like so much "noise" to 'seniors'
concerned with their own particular patch of high-theoretical
discussion, may link in more directly with the lives and
lifestyles of other subscribers. Yet conversely, those
self-same subscribers (and we say this from experience)
learn much from even the shortest exchange on topics they may
not be intimately familiar with. A more personal inflection
on otherwise theoretical postings manages to communicate the
really valuable experience gleaned from working in an area
over a long period of time.
The issue of noise does clearly connect with Alexei Shulgin's
plea for avoiding professionalism in favor of freedom for
development and experimentation, which he seems to have meant
for the art-side of Nettime mostly. This is applicable to the
whole of Nettime's working field though.
The tempting and sometimes threatening idea of separating the
art-hemisphere from supposedly more practical workingfields seems
completely out of place in the context of the experimentation
workers in new media are inevitably obliged to engage in.
Of course this broadening of discussion can also slide into a
situation where... 'plus ca change': the 'lurkers' feel
privileged to listen to the masterspeakers, not just in the
lecture hall as before, but in the newly-opened private spaces
of the gents' loo and the corner of the professors' refectory.
It is a pity that some interesting professional writers whom we
know must have eye and heart for helping to find a solution to
this problem are too busy being professional elsewhere. Of course,
not everyone has the tireless energy of the few one-man
broadcasting houses that push Nettime forward (thanks) so perhaps
it wouldn't be a bad thing if some others circulating in the
technoculture circuit would every now and then step down from
their pedestal and be among the crowds again, not just at
conferences, that seem to be like holiday camps to them and where
of course personal exchanges of ideas and inspiration are limited
to small groups of people only.
We have to say that eventhough these mechanisms that we have
described above are in our opinion the major reason why the
Nettime platform does not work to its fullest possibilities,
there have also been a few little incidents on Nettime that
have created the impression that one has to be careful with
postings. A few times people have been thrown of the list
for reasons that were not always clear to everybody, but
seemed to have to do with certain not clearly visible *rules*.
Not everybody has the chance to ask the moderators face to face
what is going on and to discuss it. For this reason it seems
necessary that after such an incident, and hopefully we will
not have too many, a warm and inspiring invitation to doubters
and searchers is spread, which could maybe also function as a
kind of basic, userfriendly Nettime manifesto.
Nettime is a social entity; above all else its energy comes
from its community-oriented nature. The above is not meant as
a dead-end complaint.
It is more a response to a slightly troubling and seemingly
contradictory tendency within the discussions of nettime that
have discouraged certain interesting subscribers to participate.
In the long run this may create problems, nobody likes being
an unintentional lurker. The network of subscribers is a valuable
one for all of us, and loosing good but in the world of
theorywriting inexperienced people due to inaccessability would
be a damn shame. If we are to avoid building with institutionalised
male dominated structures of theoretical discourse that existed
within the academy of old, which profitted from specialisms,
narrowing the gaze and heading for one clear goal, and we reflect
now, in practice, the diversity of this list, the threads of this
tendency might need to be unpicked and rewoven.
Paulien= editor of Mute mute@easynet.co.uk/ W: www.metamute.co.uk London
Josephine = radio-maker Radio Patapoe 97.2FM ptp@desk.nl Amsterdam
*
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